3) "YOU GAVE ME SYPHILIS!" with the leaping and the punching and the adorableness. Pretty much all of that ep, but especially that scene.
2) The Kiss with Callie. OMG HOT.
1) Every second of his interaction with Bailey in "It's the End of the World" and "As We Know It." Seriously, every single second. From his whole, "Bailey's back, sir" to holding her while she's delivering just. Everything. LOVE.
3) Gunn walking into the courtroom in the S5 opener. 'Cause oh, hi, hi, hotness there.
2) Gunn pulling out the figurine and presenting it to the Japanese guy when he goes to that party with Gwen. It's just so smart and prepared of him that it makes me go all wibbly.
1) "We'll be the ones walking while black." I. Love. That. Line. I love that line more than anything else on that show ever. okay, other than like, the bedside vigil in "Thin Dead Line," which is, I suppose, proof that "Thin Dead Line" is still my favorite episode.
3) In "Condemned," when he goes to the pot of stew and tastes it and McKay pitches a fit and Ronon's response is, "It's good."
2) Ronon striding out of the gloom carrying wee children in the ep with the volcano. Because um, hi. Hi. that did interesting things to my insides.
1) Pretty much everything in "The Tower," but especially when he takes on the guardsmen for threatening the village chick and then later, when Teyla is having her discussion about how things have gotten a little bit out of hand, in the background is Ronon teaching the villagers how to fight.
3) The sexin' in the barn. 'Cause hello, Assumpta Serna is hot. I'm very shallow sometimes.
2) The scene where she is all gay by the fire with that one chick (Josefina, I think). I am terrible with the names and episode references, but you know of what I speak! 'Cause dude, that was mighty mighty gay.
1) When she gives leadership advice to Sharpe in the first movie/episode. Because it's just so *her*. She's smart and capable and an awesome leader and she sees something in Sharpe that should be fostered and so she does it.
1) Steve: Come on, you sell them. What are they for?
Junior Shop Assistant: Well...
Senior Shop Assistant: You sit on them.
Steve: Ah! Ha ha ha! You see, that's where you're wrong! Nobody sits on them. Okay, watch this. Here's the cushion. I'm putting it on the sofa. Now watch me. I'm stting down. And what do I do on my final approach? I - oh! - move the cushion! You see? It's not involved! It's not part of the whole sitting process. It just lies there. It's fat litter! It's a sofa parasite!
Jane: It's, you know... padding.
Steve: Oh, padding! Now, that's interesting, Jane. See, I like padding. If I was, say, an American Football player, with all those big bastards running at me, I would say "give me some of that padding and be quick about it." If my job involved bouncing down jagged rocks I would say "in view of those jagged rocks down there, I'll have some of that padding, thank you very much." But Susan, Sally, Jane, this is a sofa. It is designed by clever scientists in such a way as to shield the unprotected user from the risk of skin abrasions, serious head trauma, and, of course... [drops behind sofa, then sticks head out]
Steve: Daleks!
*
2) no dialogue, but the Reservoir Dogs scene in "Sex, Death, and Nudity" cracks me up *every time*. And a lot of it is about Steve smoking in slow motion.
...*snorfle*
*
3) There's a scene in "Jane and the Truth Snake" where Steve is sitting in the bar wearing that black and white shirt and the jeans and he's all sprawled. I like that scene a hell of a lot, for lo, it is hot like burning.
I loved that first speech especially when he hides behind the the couch when he says "Daleks". He gives the best mini-rants/speechs. I love the scene in Perhaps, Perhaps, Perhaps when he is dressed up as Spiderman.
3) "Mr. Gibbs, that will do." His intro! With the starchiness and the prettiness and the crispness! Then, "Consider them marked." Oh, snarky Norrington, I heart you so!
2) The sword flippy thing!
1) "By remembering that I serve others, Mr. Sparrow, not only myself." This is still my favoritest line of Norrington's, just because it's so *him*. The acknowledgement of obligation (and prioritizing!) to others without taking away that he can be self-serving too. Oh, heart! Heart heart heart!
Oh, such a hardship to do six moments for Norrington!
3) His second introduction during the promotion ceremony, when the line of soldiers forms the um. Whatsit. The column thing and Norrington steps into frame, just before he walks through.
2) The dock scene! With all the snark and disdain! "And I half expected it to be made of wood."
1) The scene on the disabled Dauntless, right after Jack has made off with the Interceptor, when Norrington glares for a moment and then turns and strides up the deck ordering the guns run out and he's all lethal and badass, and then Groves says, "We're to fire on our own ship?" and Norrington says, very precisely, "I would rather see her at the bottom of the ocean than in the hands of a pirate."
*snerk* You are evil. But adorable, which makes up for it.
3) In "38 Minutes," when Weir goes to talk to him and he says both that he didn't want to waste any time with a metting and then tells her to "Stop talking please" and offers up that adorable little smile.
2) In "Letters from Pegasus," when he narrates the surfacing of Atlantis and he's all giddy and full of awe and wonder and excitement and he uses hand gestures and he's just so *adorable*. And like a little kid at Christmas and I totally point to that scene and go, "That, that is why Zelenka went to another galaxy," because of that sense of wonder.
1) In "Trinity," when he gives McKay that lecture over the radio and he's concerned and frantic and finally fed up with McKay's ego and unwillingness to listen. I could watch that scene for *days*.
3) When she walks into the conference room in "Suspicion," and Weir is all, "Oh, we weren't going to question *you*," and Teyla was all, "I should have been first." Because okay, seriously, how awesome is that? It shows she's got integrity like whoa *and* it's smart as hell, because it pointed out how shady Weir was being with the way the "interviews" were conducted. Principled, hot, *and* savvy. I fell in love with her in that moment.
2) When she punches Bates in the face. It's such a great moment for both of them, because it's a crack in Teyla's control and a flash of how hot her temper is *and* an indication of how far she's willing to give way -- this far, but no further or she'll pop you one -- and also it's Bates, man. In my secret heart of hearts, I keep kind of hoping that those two crazy kids could work things out and be all argumentative and then have sex.
1) In "The Long Goodbye," when not!Weir tells Teyla to kill Sheppard or not!Weir will kill all the people in their quarters, and Teyla is all, "Sorry, boo, but you < everyone else," and is all ready to shoot him. I *love* that. I love it so much I can barely describe it in words. Because okay, seriously? I love that Teyla can make that decision.
3) Xander: You know, maybe we're on the wrong track with the whole spell, curse and whammy thing. Maybe what we should be looking for is something like, um, Slayer kryptonite.
Oz: Faulty metaphor. Kryptonite kills.
Xander: You're assuming I meant the green kryptonite. I was referring, of course, to the red kryptonite, which drains Superman of his powers.
Oz: [thinks] Wrong. The gold kryptonite's the power-sucker. The red kryptonite mutates Superman into some sort of weird...
Buffy: [impatiently] Guys? Reality?
*
2) In "Fear, Itself," every time Oz makes reference to his costume. From pulling aside his jacket to show the name tag to saying, "You're welcome," when Buffy said, "Thank the Lord."
*
1) Willow: Do you wanna make out with me?
Oz: What?
Willow: Forget it. I'm sorry. Well, do you?
Oz: Sometimes when I'm sitting in class... You know, I'm not thinking about class, 'cause that would never happen. I think about kissing you. And it's like everything stops. It's like, it's like freeze frame. Willow kissage. Oh, I'm not gonna kiss you.
Willow: What? But freeze frame.
Oz: Well, to the casual observer, it would appear that you're trying to make your friend Xander jealous or even the score or something. And that's on the empty side. See, in my fantasy when I'm kissing *you*, you're kissing *me*. It's okay. I can wait.
3) I love, love, *love* him when he is talking with Norrington just before the Pearl attacks Port Royal. I love the simple assumption of friendship there and Swann's so totally obvious desire for Norrington to marry his daughter. It gives me this wonderful sense that Swann wants Norrington as a *son* and well, that is always going to make me happy.
2) When Will goes in to Fort Charles and demands they go after Elizabeth, Governor Swann is pacing in the background and he's so worried and scared and my heart goes all wibbly for him.
And last:
1) The scene on the Dauntless when he sits down outside the cabin and tries to talk to Elizabeth and he tries to give her an out of the engagement if that's not what she wants. He wants his daughter to be happy and he loves her so much. How could I *not* love him for that?
(no subject)
Date: 2006-05-02 04:15 pm (UTC)(no subject)
Date: 2006-05-05 07:10 am (UTC)3) "YOU GAVE ME SYPHILIS!" with the leaping and the punching and the adorableness. Pretty much all of that ep, but especially that scene.
2) The Kiss with Callie. OMG HOT.
1) Every second of his interaction with Bailey in "It's the End of the World" and "As We Know It." Seriously, every single second. From his whole, "Bailey's back, sir" to holding her while she's delivering just. Everything. LOVE.
(no subject)
Date: 2006-05-02 04:16 pm (UTC)(no subject)
Date: 2006-05-06 03:47 am (UTC)2) Gunn pulling out the figurine and presenting it to the Japanese guy when he goes to that party with Gwen. It's just so smart and prepared of him that it makes me go all wibbly.
1) "We'll be the ones walking while black." I. Love. That. Line. I love that line more than anything else on that show ever. okay, other than like, the bedside vigil in "Thin Dead Line," which is, I suppose, proof that "Thin Dead Line" is still my favorite episode.
(no subject)
Date: 2006-05-02 04:16 pm (UTC)(no subject)
Date: 2006-05-06 01:39 am (UTC)3) In "Condemned," when he goes to the pot of stew and tastes it and McKay pitches a fit and Ronon's response is, "It's good."
2) Ronon striding out of the gloom carrying wee children in the ep with the volcano. Because um, hi. Hi. that did interesting things to my insides.
1) Pretty much everything in "The Tower," but especially when he takes on the guardsmen for threatening the village chick and then later, when Teyla is having her discussion about how things have gotten a little bit out of hand, in the background is Ronon teaching the villagers how to fight.
Heart heart heart.
(no subject)
Date: 2006-05-02 04:18 pm (UTC)(from. Um. Mammoth.)
(no subject)
Date: 2006-05-05 06:39 am (UTC)3) I really really loved it when Mammoth decapitated hot black not-Mulder.
2) The dancing cave drawings of the mammoth killing the cavepeople.
1) RAVE TO THE GRAVE!
(no subject)
Date: 2006-05-02 04:19 pm (UTC)(no subject)
Date: 2006-05-05 07:03 am (UTC)3) Chris' solo verse in "O Holy Night". It makes me go all melty, for I am a giant dork.
2) Pretty much the entirety of Reel *NSYNC. I can't help it. He is a big dork and I heart him.
1) From the 2000 VMAs, the "It's Gonna Be Me" booty call. "Hey, LAAAAAAAAADIES!" (though, truthfully, I love the booty call *every time* I see it)
(no subject)
Date: 2006-05-02 04:21 pm (UTC)(no subject)
Date: 2006-05-06 02:09 am (UTC)2) The scene where she is all gay by the fire with that one chick (Josefina, I think). I am terrible with the names and episode references, but you know of what I speak! 'Cause dude, that was mighty mighty gay.
1) When she gives leadership advice to Sharpe in the first movie/episode. Because it's just so *her*. She's smart and capable and an awesome leader and she sees something in Sharpe that should be fostered and so she does it.
(no subject)
Date: 2006-05-02 04:34 pm (UTC)(no subject)
Date: 2006-05-05 06:36 am (UTC)1) Steve: Come on, you sell them. What are they for?
Junior Shop Assistant: Well...
Senior Shop Assistant: You sit on them.
Steve: Ah! Ha ha ha! You see, that's where you're wrong! Nobody sits on them. Okay, watch this. Here's the cushion. I'm putting it on the sofa. Now watch me. I'm stting down. And what do I do on my final approach? I - oh! - move the cushion! You see? It's not involved! It's not part of the whole sitting process. It just lies there. It's fat litter! It's a sofa parasite!
Jane: It's, you know... padding.
Steve: Oh, padding! Now, that's interesting, Jane. See, I like padding. If I was, say, an American Football player, with all those big bastards running at me, I would say "give me some of that padding and be quick about it." If my job involved bouncing down jagged rocks I would say "in view of those jagged rocks down there, I'll have some of that padding, thank you very much." But Susan, Sally, Jane, this is a sofa. It is designed by clever scientists in such a way as to shield the unprotected user from the risk of skin abrasions, serious head trauma, and, of course...
[drops behind sofa, then sticks head out]
Steve: Daleks!
*
2) no dialogue, but the Reservoir Dogs scene in "Sex, Death, and Nudity" cracks me up *every time*. And a lot of it is about Steve smoking in slow motion.
...*snorfle*
*
3) There's a scene in "Jane and the Truth Snake" where Steve is sitting in the bar wearing that black and white shirt and the jeans and he's all sprawled. I like that scene a hell of a lot, for lo, it is hot like burning.
(no subject)
Date: 2006-05-06 03:07 pm (UTC)When does POTC2 come out again?
(no subject)
Date: 2006-05-08 04:44 am (UTC)Also, PotC 2 comes out on July 7th. Only two months away! Woo!
(no subject)
Date: 2006-05-14 01:51 am (UTC)(no subject)
Date: 2006-05-02 04:38 pm (UTC)(no subject)
Date: 2006-05-12 03:12 pm (UTC)2) The sword flippy thing!
1) "By remembering that I serve others, Mr. Sparrow, not only myself." This is still my favoritest line of Norrington's, just because it's so *him*. The acknowledgement of obligation (and prioritizing!) to others without taking away that he can be self-serving too. Oh, heart! Heart heart heart!
(no subject)
Date: 2006-05-02 04:38 pm (UTC)(no subject)
Date: 2006-05-02 04:39 pm (UTC)(no subject)
Date: 2006-05-12 03:22 pm (UTC)3) His second introduction during the promotion ceremony, when the line of soldiers forms the um. Whatsit. The column thing and Norrington steps into frame, just before he walks through.
2) The dock scene! With all the snark and disdain! "And I half expected it to be made of wood."
1) The scene on the disabled Dauntless, right after Jack has made off with the Interceptor, when Norrington glares for a moment and then turns and strides up the deck ordering the guns run out and he's all lethal and badass, and then Groves says, "We're to fire on our own ship?" and Norrington says, very precisely, "I would rather see her at the bottom of the ocean than in the hands of a pirate."
(no subject)
Date: 2006-05-12 07:27 pm (UTC)(no subject)
Date: 2006-05-02 05:05 pm (UTC)(no subject)
Date: 2006-05-06 02:13 am (UTC)3) In "38 Minutes," when Weir goes to talk to him and he says both that he didn't want to waste any time with a metting and then tells her to "Stop talking please" and offers up that adorable little smile.
2) In "Letters from Pegasus," when he narrates the surfacing of Atlantis and he's all giddy and full of awe and wonder and excitement and he uses hand gestures and he's just so *adorable*. And like a little kid at Christmas and I totally point to that scene and go, "That, that is why Zelenka went to another galaxy," because of that sense of wonder.
1) In "Trinity," when he gives McKay that lecture over the radio and he's concerned and frantic and finally fed up with McKay's ego and unwillingness to listen. I could watch that scene for *days*.
(no subject)
Date: 2006-05-02 05:44 pm (UTC)(no subject)
Date: 2006-05-06 04:13 am (UTC)2) *cough* The exposition song in "Restless." I love the Exposition Song.
1) In "Helpless," at the end, when Giles helping clean Buffy up and he's all careful and hesitant.
(no subject)
Date: 2006-05-02 05:53 pm (UTC)(no subject)
Date: 2006-05-06 01:52 am (UTC)3) When she walks into the conference room in "Suspicion," and Weir is all, "Oh, we weren't going to question *you*," and Teyla was all, "I should have been first." Because okay, seriously, how awesome is that? It shows she's got integrity like whoa *and* it's smart as hell, because it pointed out how shady Weir was being with the way the "interviews" were conducted. Principled, hot, *and* savvy. I fell in love with her in that moment.
2) When she punches Bates in the face. It's such a great moment for both of them, because it's a crack in Teyla's control and a flash of how hot her temper is *and* an indication of how far she's willing to give way -- this far, but no further or she'll pop you one -- and also it's Bates, man. In my secret heart of hearts, I keep kind of hoping that those two crazy kids could work things out and be all argumentative and then have sex.
1) In "The Long Goodbye," when not!Weir tells Teyla to kill Sheppard or not!Weir will kill all the people in their quarters, and Teyla is all, "Sorry, boo, but you < everyone else," and is all ready to shoot him. I *love* that. I love it so much I can barely describe it in words. Because okay, seriously? I love that Teyla can make that decision.
(no subject)
Date: 2006-05-02 07:34 pm (UTC)(no subject)
Date: 2006-05-12 03:49 pm (UTC)3) When he takes out the two oliphaunts with one spear because he is * just that cool*.
2) "Oaths you have taken..." Oh, that is... That is stirring.
1) The wail of grief (in the extended edition of RotK) as he holds Eowyn. I um. I start crying every time.
(no subject)
Date: 2006-05-03 12:27 am (UTC)(no subject)
Date: 2006-05-06 04:03 am (UTC)Oz: Faulty metaphor. Kryptonite kills.
Xander: You're assuming I meant the green kryptonite. I was referring, of course, to the red kryptonite, which drains Superman of his powers.
Oz: [thinks] Wrong. The gold kryptonite's the power-sucker. The red kryptonite mutates Superman into some sort of weird...
Buffy: [impatiently] Guys? Reality?
*
2) In "Fear, Itself," every time Oz makes reference to his costume. From pulling aside his jacket to show the name tag to saying, "You're welcome," when Buffy said, "Thank the Lord."
*
1) Willow: Do you wanna make out with me?
Oz: What?
Willow: Forget it. I'm sorry. Well, do you?
Oz: Sometimes when I'm sitting in class... You know, I'm not thinking about class, 'cause that would never happen. I think about kissing you. And it's like everything stops. It's like, it's like freeze frame. Willow kissage. Oh, I'm not gonna kiss you.
Willow: What? But freeze frame.
Oz: Well, to the casual observer, it would appear that you're trying to make your friend Xander jealous or even the score or something. And that's on the empty side. See, in my fantasy when I'm kissing *you*, you're kissing *me*. It's okay. I can wait.
oh, *heart*. Oz, I love you, boo!
(no subject)
Date: 2006-05-04 06:14 pm (UTC)(no subject)
Date: 2006-05-05 06:19 am (UTC)3) I love, love, *love* him when he is talking with Norrington just before the Pearl attacks Port Royal. I love the simple assumption of friendship there and Swann's so totally obvious desire for Norrington to marry his daughter. It gives me this wonderful sense that Swann wants Norrington as a *son* and well, that is always going to make me happy.
2) When Will goes in to Fort Charles and demands they go after Elizabeth, Governor Swann is pacing in the background and he's so worried and scared and my heart goes all wibbly for him.
And last:
1) The scene on the Dauntless when he sits down outside the cabin and tries to talk to Elizabeth and he tries to give her an out of the engagement if that's not what she wants. He wants his daughter to be happy and he loves her so much. How could I *not* love him for that?